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San Carlo Theatre Naples


San Carlo Naples

OPERA SEASON

Semiramide - Giacchino Rossini

From the 18th to the 27th of November 2011

Conductor: Gabriele Ferro

Direction: Luca Ronconi

Orchestra and Choir: Teatro San Carlo

After the "Clemenza di Tito", Luca Ronconi comes back to open the Opera San Carlo Season with Semiramide by Rossini. This opera, considered the aesthetic will of the great composer from Pesaro, returns to the San Carlo Opera after 25 years!

 

Il Marito Disperato - Domenico Cimarosa

From the 6th to the 16th of December 2011

Conductor: Christophe Rousset

Direction: Paolo Rossi

Orchestra: Teatro San Carlo

Paolo Rossi and Domenico Cimarosa ideally reopen to the public, for the first time after its restoration, the doors of the Teatrino di Corte of the Royale Palace. After the huge success of criticism of the "Matrimonio Segreto", his opera directorial debut, Rossi returns to face with the famous composer with the staging of "Il Marito Disperato", a dramma giocoso that promises to enhance at the best comic and interpretative skills.

 

The Gershwins Porgy and Bess - George Gerswhin, Du Bose, Dorothy Heyward and Ira Gerswin

From the 10th to the 15th of January 2012

Conductor: William Barkhymer

Director: Baayork Lee and Larry Marshall

Company:  New York Harlem Theatre

Orchestra: Teatro San Carlo

The popular American work crosses the doors of the oldest Opera theatre in the world. The New York Harlem Theatre brings to the San Carlo the ambitious modern melodrama by Gershwin, a wonderful musical epic of coloured people, passionate of jazz, blues and spirituals.

 

L'opera di tre soldi - Bertold Brecht, Kurt Weill

From the 17th to the 21st of January 2012

Conductor: Francesco Lanzillotta

Direction: Luca De Fusco

The provocative work by Brecht arrives at the San Carlo in a brand new version that is a tribute to Naples and the Neapolitans. Lina Sastri and Massimo Ranieri, directed by Luca Fusco, will be the protagonists of this social insight, created for the proletariat but whose success was confirmed by the bourgeoises of the time.

 

Lucia di Lammermoor - Gaetano Doninzetti

From the 10th to the 18th of February 2012

Conductor: Donato Renzetti

Direction: Gianni Amelio

Choral Director: Salvatore Caputo

Orchestra and Choir: Teatro San Carlo

The most famous work of Gaetano Doninzetti comes back to the theatre where it was performed for the first time in September 1835 in a new version of Gianni Amelio. A classic reinterpreted with a contemporary artist of great sensitivity.

 

Don Trastullo - Niccolò Iommelli

From the 2nd to the 11th of March 2012

Conductor: Maurizio Agostini

Orchestra and Choir: Teatro San Carlo

The trick of love played by cunning Arsenia to haughty Don Trastullo is the heart of this funny intermezzo of neapolitan colours signed by the composer Niccolò Iommelli, author of high art concepts defined in the evolution of the Neapolitan Opera Seria.

 

I Masnadieri - Giuseppe Verdi

From the 21st to the 31st of March 2012

Conductor: Nicola Luisotti

Direction: Gabriele Lavia

Choral Director: Salvatore Caputo

Orchestra and Choir: Teatro San Carlo

The San Carlo presents one of the less represented dramas of Verdi, directed by Gabriele Lavia. The great artist returns to prepare after 25 years, the staging of the work by Verdi inspired by the famous text by Shiller, that several times has seen him as a successfull protagonist.

 

La Boheme - Giacomo Puccini

From the 18th to the 31st of May 2012

Conductor: Andrea Battistoni

Direction: Lorenzo Amato

Choral Director: Salvatore Caputo

After the great success of the Tosca in the last season, Puccini returns to the San Carlo with one of his most touching work. The Orchestra is directed by one of the most promising italian's talents: Andrea Battistoni.

 

Les Pecheurs de perles - Georges Bizet

From the 16th to the 25th of October

Direction: Fabio Sparvoli

Chorla director: Salvatore Caputo

Orchestra, Choir and Corps de Ballet: Teatro San Carlo

Considered the first masetrpiece of Bizet's operas, Les Pecheurs de perles, exotic opera, often misunderstood and with a trobled life, is revived by the San Carlo in its original language. Fabio Sparvoli, who has worked with great artists like Strehler and De Simone, has accepted the challenge of complicated director of this majestic work, conquered by its atmospheres and its "sublime music".

BALLET SEASON

Il Pipistrello - From the 14th to the 19th of April

Choreography: Roland Petit

Music: Johann Strauss

A fortunate ballet with music by Johann Strauss Jr, Il Pipistrello by Roland Petit was born as a commission of Princess Grace of Monaco. It was staged for the first time in June 1979 in Montecarlo until today and has been performed all around the world.

 

SIMPHONIC SEASON

Recital Andras Schiff

On the 24th of November 2011

Piano:  Andras Schiff in collaboration with Associazione Scarlatti

The Hungarian Master Andras Schiff, winner in1990 of the Grammy Award for best instrumental solo performance, performs a series of variations of one of the gratest composers of the European musical scene.

 

Diego Matheuz/ Orchestra Simon Bolivar

On the 28th of November 2011

Conductor: Diego Matheuz

Orchestra Simon Bolivar

In collaboration with Associazione Scarlatti

Debut at San Carlo for the young talents of the System Abren in a night entirely dedicated to the Venezuelan young music talents appreciated in the world. Diego Matheuz, twenty - eight years old conducts the Simon Bolivar in a concert that wants to pay homage to great European musicians like Ravel and Berlioz, but also the vital exuberance of Latin American music of Moncayo.

 

James Conlon/Jennifer Frautschi

On the 3rd and the 4th of December 2011

Conductor: James Conlon

Violin: Jennifer Frautschi

Orchestra: Teatro San Carlo

The excellence of James Conlon meets the young and eclectic talent of the Merican violinist Jennifer Frautschi on the stage of the Oldest Opera theatre in the world: the two artists will perform a piece of Barber, coming from their same country, and in the Symphony n° 4 in F minor by Cajkovskij dominated by the theme, so dear to the author of the inevitability of fate.

 

 

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